Per The Guardian “the move to tabloid printing will save several million pounds”. The decision to move the newspaper to a tabloid format was taken seven months ago as part of a three-year plan to generate significant savings and break even at an operating level by April 2019 reports Dezeen. Guardian Headline is designed to be easier to read and is described by Viner as simple, confident and impactful “We’re using a range of energetic colours, and the much-loved Guardian visual wit and style remain at the heart of the look" she adds.ĭespite the smaller format, the main text font remains the same with marginal changes to size, line spacing and overall typesetting in a bid to improve readability. The redesign features a new font and logo designed by New York- and London-based studio Commercial Type, which also created the original Guardian Egyptian font. "For several months, a team including our exceptional creative director Alex Breuer and senior editors and designers have been discussing and refining The Guardian's new look, as well as gathering invaluable feedback from readers," she continued. "It's been an exhilarating period of creativity, imagination and focus, and we’re thrilled with the result," said Guardian editor-in-chief Katharine Viner, in a piece featured in the newly designed paper’s debut edition. The newspaper's smaller tabloid format has been rolled out across all sections and supplements of The Guardian and The Observer. Guardian egyptian headline font design android#The new tabloid format of the paper will be available to buy in print from Monday, and the app is available to buy on iOS and Android now.People don’t know what to say of it yet but The Guardian is a tabloid now and this is a significant change to the acclaimed paper’s identity and format.Įarlier this month the acclaimed British newspaper The Guardian has unveiled a simplified and smaller tabloid format, as well as a website redesign that includes the launch of a new logo and font. “The masthead has a renewed strength and confidence to represent the Guardian’s place and mission in these challenging times,” she said. Noting that the font is “easier to read” than its predecessor while staying true to the papers “visual style and wit” and “zing”, Katharine noted that the updated black-on-white masthead reflected the turbulent political landscape. The new typeface is markedly taller and more pointed than the lowercase wordmark it replaces. “We’re using a range of energetic colours, and the much-loved Guardian visual wit and style remain at the heart of the look." “ is simple, confident and impactful,” said editor-in-chief Katharine Viner in a statement. The paper has collaborated with Commercial Type - the creators of the original Guardian Egyptian - to bring a new font called Guardian Headline to life. The redesign centres around the replacement of the paper’s blue and white masthead with black lettering. The result of months of work from a team led by creative directors Alex Breuer and Chris Clarke with the input of senior designers and editors at the paper, the design overhaul will be rolled out across desktop, apps and mobile and a new tabloid print format. The Guardian has unveiled a redesign of its online and print editions.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |